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"Evening Star" |
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The planet Venus (also known as the
evening star) has inspired poets, painters and dreamers for
millennia. As the sun sinks below the pink horizon, it appears, a
sentinel to warn travelers to find a place to bed down for the
night. This idyllic scene is part of Lyman’s campfire series.
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" Dance of the Cloud
and Cliff " |
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Why should you buy
Dance of Cloud and Cliff?
This is perhaps Stephen Lyman’s most perfect
painting of Yosemite National Park—indeed, it is
perhaps the finest painting of Yosemite you will
ever see. Stephen Lyman knew the trails—both charted
and uncharted—and terrain of Yosemite as well the
lines in his own palm. His magnificent depiction of
Half Dome captures the grandeur of the landscape the
way that no photograph ever could.
“I saw Yosemite’s Half Dome, caressed by gossamer
clouds and bathed in the fleeting alpenglow,” said
Lyman. “Can words convey this mountain drama? This
is why I paint the wilderness.”
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October Flight |
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Last Touch of Light |
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Last Touch of Light
allows you a grand view of one of our most glorious national parks,
Yosemite. Here the Half Dome shimmers in the fading light, above the dark
silent woods. |
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Stellar Autumn |
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'' Steller Autumn
is an intimate portrait of one landscape (a tree) and its inhabitants,
Steller's blue jays. In order to capture the intricate details of the scene,
Stephen concentrated on one area of a maple tree.
The Steller's blue jays are seated contentedly among the glowing maple
leaves. As the dark boughs spread upward and outward, the golden leaves and
a handful of sky-blue birds remain, imbuing the painting with a sense of
closeness and comfort ''. |
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Master work Anniversary Edition Fine Art
Giclée on Canvas |
image size:
42" x 19" |
$1115.00 (Cdn) |
More info or to order
by phone click here |
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Canadian Autumn |
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In the Canadian
Rockies, hazy sunlight filters down through the mountains, dancing on
wind-driven ripples of water and bathing the trees in its permeating glow.
The golden-brown hues of autumn add a rich warmth to the landscape. A bull
moose steps lazily around in the lake, feeding on the abundant aquatic
vegetation. The scene is rich with sounds, textures and light, one last
burst of color and life before the season changes to silent winter. Lyman
had said of the painting, "I enjoyed the opportunity to paint diffused light
reflected from a pond in the Canadian Rockies, with one of the largest North
American animals appearing quite small in relation to the vast landscape."
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Masterwork Anniversary Edition Fine Art
Giclée Canvas |
image size:
48" x 36" |
Sold out at publisher
check availability
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More info or to order
by phone click here |
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Anniversary Edition Fine Art
Giclée Canvas |
image size:
37" x 28" |
Sold out at publisher
check availability
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More info or to order
by phone click here |
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Noisy Neighbor |
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In the early
morning mist of Noisy Neighbor, a solitary grizzly emerges from the forest,
ambling through the bear grass along the lakeside. The glassine water
underscores the serenity of the moment.
Suddenly the silence is broken by the screech of a Stellar Jay, upset by the
appearance of an intruder into his neck of the woods. Knowing it would be
fruitless to go after the bird, the powerful bear just stands watching,
while the jay, knowing he has plenty of distance from the intruder, boldly
continues to chastise him. |
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Masterwork Anniversary Edition Fine Art
Giclée Canvas |
image size:
20" x 34" |
$1510.00 (Cdn) |
More info or to order
by phone click here |
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Ahwahnee - The Deep Grassy Valley |
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A Greenwich Workshop
Anniversary Edition
The Yosemite people
called Yosemite Valley Awooni or Owwo for (gaping) “mouth,” referring to the
appearance of the valley’s walls from the village of Ahwahnee, the largest
and most powerful Indian village in the valley. The natives also called
themselves Ah-wah-ne-chee, or “dwellers of Ahwahnee.”
Chief Tenaya
tried to explain the meaning of “Ahwahnee” to white men by using sign
language, but was mistakingly interpreted as saying “deep grassy valley.” In
his own language Tenaya was trying to sign “gaping mouth.” In 1851, the US
government tried to drive the natives out of Ahwahnee, but Chief
Tenaya never submitted and never signed a treaty. |
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Limited edition giclée canvas |
image size:
46" X 18" |
Sold out at publisher
check availability |
More info or to order
by phone click here |
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The Raptor's Watch |
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A Greenwich Workshop
Anniversary Edition
“Red tailed hawks
like to perch on telephone and fence poles and watch for rabbits and mice in
the long grasses. I wanted to capture this particular hawk on its vigil
because of the textures in the scene—in the leaves of the blackberry bush,
the moss lichen growing on the fence post and the plowed field in the
background.”
-Stephen Lyman |
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Limited edition giclée
on canvas |
image size:
36" X 28" |
Sold out at publisher
check availability
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More info or to order
by phone click here |
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