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This is the first of my new “Pattern” series. By taking an animal and reducing it to a silhouetted, stamp-like form, and repeating that shape to create a background pattern, the animal subject is pitted against a mass-produced image of itself. In most cases, the effect is humorous, evoking the animal’s ubiquity, life cycle, or reproductive capacity. In all cases, this systematization of a natural shape highlights the significance of the animal in human life and culture. In this case, the bunny becomes an emblem of spring, fertility, and rebirth, even evoking its symbolic association with the pagan Eostre and the Christian Easter.
Nature appears chaotic to us, but it is actually highly organized in its own way. It is our desire to control and conquer, arising from the innately human need for structure, that causes us to project our own artificial categories, our own systems of naming and organizing, onto the plants and animals around us. My patterns series seeks to explore this phenomenon in a fun and playful manner, re-contextualizing wildlife into a world of flat shapes, repeated imagery, brand logos, and ones and zeros, searching for old truths in a new world. As Gertrude Stein once wrote, “There is no such thing as repetition. Only insistence.”