Robert Bateman

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The Art of Robert Bateman

Born in Toronto, with a degree in geography from the University of Toronto, Robert Bateman taught high school for 20 years, including two years in Nigeria. He travelled around the world in 1957-58, increasing his appreciation of cultural and natural heritage. Since leaving teaching in 1976 to paint full-time, he has travelled widely with his artist/conservationist wife Birgit to many remote nat ... Read More

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White-tailed Deer Through the Birches

“This white-tailed buck, moving behind the slender trunks of birch trees, sighted you long before you spotted him. I know a lot of people might ask, “Why paint a nice deer and then put all those branches in front of it?” but that is how you see them in the wild. I also like the veiled effect of the delicate verticals of the birches before the deeper horizontal planes of the painting. In Through the Birches, I tried to create the illusion of a screen of tree trunks, branches, twigs, leaves and grasses, allowing the viewer to discover this handsome white-tail.”

– Robert Bateman

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Winter Run – Bull Moose

“This moose has been browsing his way through a willow swamp. The gentle snow of the night before has settled on every little twig. In fact, a few flakes are still falling, creating a counterpoint of dedicate white tracery against the powerful planes of the moose’s form. The tranquility of this scene is short-lived, however. For some reason the bull moose decides to charge in my direction. At the very last moment he veers off, giving me a baleful glance as he thunders past.”

– Robert Bateman

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30.5 x 16.25 in
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Baltimore Oriole & Plum Blossoms

“I can’t explain it, but this is the first major Baltimore oriole I have painted since I did a little painting of birds in our backyard at the age of 14. Come to think of it, there are many colorful, well-known birds I have not painted. In the case of this oriole, it is about time. Its cheerful, flute-like chirps are one of my many joyous memories of a childhood in nature.

Upon hearing the bird, my eyes would usually go up to the branches of a tall, spreading elm. I would be looking for the deep, woven cup of a nest. Now the elms are virtually
extinct due to Dutch elm disease, but the orioles are thankfully still doing fine.”

– Robert Bateman

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13.25 x 10 in
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Wrangler’s Campsite – Gray Jay

“There are many things to do when making camp on a pack horse trip. The horses need to be unloaded and tethered for the night. Poles are cut for the tents and dead wood gathered and chopped for the fire. Only then does the wrangler strike his axe into the tree where it is safely stowed and easily reached. Then off come the chaps, the leather leggings that are still worn for leg protection in rough country. Sometimes they are hung on a branch, but what better clothes hook than the axe.

The gray jay is the silent and friendly little ghost that appears at campsites throughout the remote coniferous forests of North America. Although he doesn’t like civilization, he appreciates visitors to his world, provided they bring some tasty scraps.”


The gray jay has been declared the national bird of Canada by the Canadian Geographic Society. Found in every province, it has been called one of the most intelligent birds in north America. Read more: https://www.canadiangeographic.ca/article/meet-our-national-bird-gray-jay

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16 x 24 in
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Windtalkers
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22 x 22 in
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30 x 30 in
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36 x 36 in
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Winter Gathering – Horse Herd

Horses have shared the history of humankind since earliest times. My mother was born into a world where horses were virtually the only form of land transportation other than using one’s own legs. Those days are now past in almost the entire world. However, horses still have a place as a satisfying form of outdoor recreation. Great enthusiasm for the breeding and keeping of horses in many parts of rural North America remains to this day.

I saw this scene while driving through British Columbia ranchland one atmospheric winter day. The farmer had unloaded hay in a line from his tractor. This concentrated the feeding horses in a longitudinal clump. Since my abstract painting days, I have been attracted to black and white interlocking shapes reminiscent of the work of Franz Kline. That, to me, created the power of that central cluster of horses which I see as almost one form.

– Robert Bateman

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40 x 23 in
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Image Size:
40 x 23 in
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Image Size:
31 x 17.5 in
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Image Size:
31 x 17.5 in
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Winter Barnyard

The barn with its cattle symbolizes for me a wonderful era in the relationship of man to man, and man to animal.

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32 x 14.5 in
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Vigilance

“I consider Vigilance my most important bald eagle painting. It has the most dramatic qualities, which is appropriate for what may be the most dramatic bird in North America. Every day, the bald eagle must be vigilant to survive. We too must be vigilant, every day, to protect.”
– Robert Bateman

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Image Size:
24 x 31 in
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Loon Gathering at Big East

“From my childhood, my joy was to explore the lakes in the Canadian northland. The spirit of those lakes was, and still is, the common loon…I found one fairly large, rambling lake that went on and on through bays and narrows and coves. There was no road leading to it, but a portage type trail down which I carried my canoe. It became a sort of secret, wild place of escape for short camping trips.”

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32 x 16 in
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40 x 20 in
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Morning Calm – Pintail

“One of my favorite activities is traveling on water, preferably slowly and quietly, canoe would be best. If the water is calm, one has the disembodied feeling – floating yet moving. What fascinates me is the enhanced sense of three dimensions as one watches closer objects moving against the various layers of the background. I can gaze on this endlessly, especially when moving through nature. Unlike most people, my taste turns to mist.

Perhaps this is because of the increased illusion of depth and atmosphere.  This scene shows a simple, quiet moment, unspectacular and ordinary but magical in its own way. I emphasized the tranquility by adding a single male pintail, floating and dozing.”

– Robert Bateman

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32 x 16 in
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High Water – Mallard Pair

” We live on a charming small lake cupped at the base of surrounding mountains. Lily pads fringe the shoreline and the lake provides sanctuary to many species of birds from wood duck to Virginia rail. The ubiquitous mallard is a mainstay. We spotted this pair posing in this peaceful scene.”

– Robert Bateman

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32 x 16 in
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Catching the Light

“The most intriguing artistic challenge in this painting was to capture the quality of the slash of light striking across the feathers of the owl, breaking up the obvious shape of the bird into a new and fleeting pattern.” The barn owl has a wide distribution throughout the world’s tropical and temperate areas. In recent decades, however, its numbers have been declining in many parts of its range. Various theories have attempted to account for this decline, including pesticides as well as the increase of automobiles, since barn owls often swoop low at night.

During the year our family spent in Germany, we lived in a typical, big old Bavarian farmhouse, one end of which was a huge barn. Ancient and rustic buildings strongly appeal to me, not only to my sense of nostalgia and imagination but also to my sense of visual aesthetics — I simply like the look of them. Compared to the average suburban mall, a prefabricated structure that is designed to be impermeable, a barn has rich and organic surfaces which show the work of the hands of the men who built them so long ago. Barns show the patina of age; with physics, chemistry and biology all working together on their surfaces, they grow and develop in a living, organic manner even though they are just buildings.

Although I did not actually see an owl in our barn, I knew that they must have been there in the past, and I felt their presence on the dusty, cobweb-laden rafters. The most intriguing artistic challenge in this painting was to capture the quality of the slash of light striking across the feathers of the owl, breaking up the obvious shape of the bird into a new and fleeting pattern. I deliberately cast the owl’s face in shadow — almost “threw it away” — a sacrifice to artistic intent which perhaps adds to the sense of elusive mystery of this vulnerable bird.

– Robert Bateman

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32.5 x 13.75 in
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At the Cliff – Bobcat

“Safely stationed in an imposing rock crevice, the bobcat keeps watch over its territory. Relying primarily on its senses of sight and hearing to pinpoint potential prey, the bobcat has chosen a sylvan spot on this mossy platform.”

– Robert Bateman

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29.75 x 21.75 in
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Cowboys and Golden Eagle

“Pack horse trips are perhaps the best way to get away from the modern world. They are especially good for knitting relationships. At their best they put you in your own little world, surrounded by nature.

Our family has done three of them. The particular moment caught in this painting shows our daughter Sarah with her husband Rob taking a break during our family trip in the Willmore wilderness area north of Jasper Park in Alberta. I did see the golden eagle there but not at that moment.”

– Robert Bateman

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Image Size:
24 x 18 in
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Ready for the Hunt – Snowy Owl
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28.5 x 18 in
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Image Size:
38 x 24 in
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Pheasants at Dusk
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27 x 18 in
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36 x 24 in
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Sparring Tigers
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32 x 32 in
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26 x 26 in
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Siberian Clearing – Mother and Cub
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Image Size:
33 x 22 in
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Image Size:
27 x 18 in
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Lone Raven
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Image Size:
29.5 x 22.25 in
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40 x 30 in
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Weather Watch Bison
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Image Size:
24 x 16 in
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Tiger

Robert Bateman framed this Siberian Tiger with dark and cool blues as he emerges into view.

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Image Size:
18 x 18 in
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Above the Rapids – Gulls and Grizzly

“Salmon are an essential element for nourishment of wildlife from grizzly bears to birds to other aquatic life and insects. Moreover, scientists have just discovered that the nutrient makes its way through bears, birds and insects to fertilize the giant west cost lowland forest. Salmon rivers have much bigger trees than non-salmon rivers. This fish is so important and integral to society and nature that many people think it should be the poster creature for the Endangered Species Act instead of the spotted owl.

Although I have not shown a salmon in this painting, you know that they are there. some are in the water above the falls and others are still fighting way upstream. This is why the grizzly bear and gull are there. This the banquet time so important to these species and many others. It is a far-ranging crime against nature and against us to jeopardize the spectacular wild salmon.”

– Robert Bateman

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Image Size:
32.5 x 20.5 in
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Image Size:
37 x 23 in
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Giant Panda

The pandas are in Canada for the next five years at the Toronto Zoo and have been a tremendously popular attraction! This particular piece was researched and painted by Robert Bateman at the time of their last visit. Their next stop will be the Calgary Zoo.

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Image Size:
47 x 36 in
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Monarch of Asia
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20 x 14.25 in
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20 x 14.25 in
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Cardinal and Snowberries
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Image Size:
5 x 7 in
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Chickadees and Rosehips
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Image Size:
5 x 7 in
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Cardinal and Sumac
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Image Size:
19.5 x 13 in
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Scarlet Tanager and Alder Blossoms
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Image Size:
11.75 x 6.25 in
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Birdwatching
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48 x 24 in
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Image Size:
28 x 14 in
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40 x 20 in
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Wildebeests and Egrets
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Image Size:
48 x 27 in
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Bighorn Sheep Herd
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Image Size:
48 x 36 in
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Image Size:
36 x 27 in
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Image Size:
30 x 22.5 in
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Great Dunford Mute Swans
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Image Size:
17 x 17 in
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Image Size:
19 x 19 in
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Totem and Bear

This Western Canadian scene captures the remnants of sacred monuments that celebrate Indian culture. The black bear plays a key role in spiritual practice as a symbol of freedom and strength.

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Image Size:
30 x 24 in
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Image Size:
26.5 x 21 in
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Autumn Overture – Moose

“As the days shorten with the coming of winter, the leaves have mostly fallen, but the grasses still glow gold and green. This bull is making his way along the edge of a dam when his nostrils tell him of the presence of a cow, a potential mate.”
~ Robert Bateman

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Image Size:
48 x 30 in
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Among the Leaves

“Early May is an enchanted time in the hardwood forest. The snow has melted, and the sun is able to penetrate the leafless canopy of twigs. The baby cottontail has left his nest. he was born about one month ago, blind, pink and thumb-size. His mother had made a nest of rootlets, grasses and down from her own chest. In this painting, I show the little fellow in his “freeze” pose.”

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Image Size:
17 x 12 in
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Grizzly Head Portrait

“It is sometimes enjoyable for an artist to explore the variety of textures on an animal. Every square inch of the natural world is unique and particular, including the head of this grizzly.”
-Robert Bateman

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Image Size:
18 x 12 in
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Big Black

“We saw this bear at fairly close range on the shore of a quiet river. We were in a canoe. He was surrounded by bright green and yellow sunlit foliage. I decided to show him in a simple Rothko-like black rectangle with a narrow band of white water beneath.”

– Robert Bateman

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Image Size:
32 x 32 in
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Limited Edition Print
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Image Size:
32 x 32 in
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Under Construction – Cliff Swallows

“The summer days of my youth were spent at a cottage on a lake. The barn was a source of endless pleasure, providing habitat for wildlife I see fewer and fewer barns in my traels, and it has been some time since I saw a cliff swallow, but when I do, my heart goes straight as an arrow to those days of my youth.”
– Robert Bateman

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Image Size:
12 x 9 in
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Woodworkers – Pileated Woodpeckers

“I regard the pileated as the king of woodpeckers with its large size, striking black and white plumage and red crown”
– Robert Bateman

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Image Size:
12 x 11.5 in
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Snowy Morning

“Surprisingly, these bright creatures are able to camouflage themselves masterfully in their habitat, but I have shown this singular fellow in a serene wintry moment, where the eye can enjoy his cool and elegant markings.”

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Image Size:
11.25 x 8.5 in
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Snowy Nap – Tiger

“With the fall of the Soviet Empire, the realm of the mighty Siberian tiger is gravely threatened. The great old growth forests of eastern Siberian are being decimated to make quick cash for the collapsed Russian economy. Of course, entire ecosystems, including large animals like tigers and bears, are in jeopardy. This young fellow, of the largest tiger subspecies, altaica, found in eastern Siberia and Manchuria, appears unaware of the fate of his race. After romping around and rolling about, he has dropped onto the soft, white powder for a quick, snowy nap.”

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Image Size:
20 x 15 in
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Fishing Hole
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Image Size:
24 x 12 in
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Image Size:
21.5 x 10.75 in
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Manor House – Wren and Roses
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26 x 24 in
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Image Size:
22.25 x 20.5 in
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Game Over- Fox and Maple
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Image Size:
20 x 16 in
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Image Size:
15 x 12 in
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Mountain Monarch – Gyrfalcon
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Image Size:
21 x 31 in
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Screened Porch

“Our dog, Smallwood, is the center of interest. He was mostly Labrador retriever, but his grandmother was a Newfoundland, so he was big – 110 lbs. We got him as a puppy, and he grew up with our children. The memories of Smallwood are the memories of my young family. Of course, he was always my companion on daily walks. His nose and ears drew my attention to many aspects of nature I would have overlooked. His enthusiasm and devotion were boundless. Obviously, he always wanted to be with us; we were his pack. It therefore seemed as though if he were inside he wanted to be out, if he were outside he wanted in. Someone defined a door as something a dog is always on the wrong side of . . . in his opinion. ”
– Robert Bateman

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Image Size:
30 x 20 in
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Dozing Lynx

“The lynx is an animal of mystery. Although they are relatively common within their range, they are seldom seen in the wild. My painting shows the lynx in a late evening’s tranquil moment at the entrance to a cove. It is at peace – lightly dozing prior to its night hunt.”

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Image Size:
40 x 30 in
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Limited Edition Print
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Image Size:
48 x 36 in
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Off the Leash
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Image Size:
28 x 18 in
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Image Size:
22.25 x 14.25 in
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Out of The White – Snow Leopard

Because of their remote habitats, a snow leopard sighting in the wild is a thrill few humans will ever achieve. But thanks to the artistry of Robert Bateman, the rest of us can imagine the magic and mystery of such an unlikely encounter.

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Image Size:
18 x 18 in
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Image Size:
16 x 16 in
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Eyes in the Grass

“It is the lions that you cannot see that the prey should fear. A lion can hide in grass scarcely higher than a foot. Their attack technique is a charge from an ambush. The moment before the charge, they are crouched very low, both hind feet on the ground and both eyes on the subject of the attack. It is this moment that I have tried to capture in this painting.”

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Image Size:
19.75 x 10 in
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Questing – Red Fox

“Foxes are famous for their cleverness. ‘Crafty as a fox’ is an old saying. They can find their way into chicken coops and dangerous situations and usually get away unscathed. They can lead a pack of hounds on a merry chase using tricks to cover their trail. Their wily ways have helped them to extend their territory well within human settlements.”
– Robert Bateman

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Image Size:
12 x 6 in
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Pasture Trails – Red Fox

“Discover the peace of a pastoral setting. here, deadlines give way to the ancient rhythms of nature, and gridlock is replaced by the occasional silent fox, darting across a snow-covered path”

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Image Size:
32.5 x 21.5 in
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Momentum – Siberian Tiger

The largest of all living cats, the Siberian tiger is perilously close to extinction. In addition to losing its habitat, the Siberian tiger is also losing its life to supply an illegal trade network. If the Siberian tiger is to survive the wild, the momentum to save it must prevail.

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Image Size:
32.5 x 19.5 in
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Image Size:
40 x 24 in
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Fine Art Print
 Rigiclée
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Image Size:
40 x 24 in
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Hardwood Forest – White Tail Deer
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Image Size:
40 x 24 in
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Fine Art Print
 
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Image Size:
60 x 30 in
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Smallwood
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Image Size:
36 x 24 in
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Ruby-Throat and Columbine
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Image Size:
16 x 12 in
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Dragonfly

The graceful curves of the daylilies interlaced with wild grasses and set against the still waters of the pond reminded me of a Japanese screen. The dragonflies were using the daylilies as vantage points to watch for insect prey. They always seemed to me like noble warriors of the air, slender, alert and agile.
– Robert Bateman

Print sold as a pair with Daylilies

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Lithograph
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Image Size:
6 x 2.5 in
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Daylilies

The graceful curves of the daylilies interlaced with wild grasses and set against the still waters of the pond reminded me of a Japanese screen. The dragonflies were using the daylilies as vantage points to watch for insect prey. They always seemed to me like noble warriors of the air, slender, alert and agile.
– Robert Bateman

Print sold as a pair with Dragonfly

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Giclée Paper
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Image Size:
23.75 x 10 in
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Chief American Bison
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Image Size:
12 x 9 in
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Winter Reflection
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Image Size:
40 x 30 in
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Limited Edition Print
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Image Size:
30.25 x 22.75 in
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Elephant Cow and Calf
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42 x 27 in
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Stretching – Canada Goose
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Polar Bear Profile

“The polar bear is one of the largest and most powerful carnivores in the world. Some say he is more impressive than the grizzly bear and can be just as devastating. However, his white coat seems to make him less threatening. It can be easily seen why his white coat would be good camouflage in winter, even though it is as dark as night most of the time. However, in summer, one might think that white fur would show up against the rocky tundra landscape. This is true, but the polar bear does not do much hunting inland, and even in summer the coast and bays of the Arctic are full of pack ice.”
-Robert Bateman

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39 x 26 in
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Fresh Snow – Cardinal
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24 x 12 in
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24 x 12 in
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20 x 10 in
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20 x 10 in
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Egrets of the Sacred Grove

“India is the only place where nature seems to flourish in spite of dense populations, even in cities. I was told of a sacred grove of trees in a village on Bali, a Hindu island. We arrived just before dusk, when hundreds, if not thousands, of birds were restlessly rearranging their roosting positions. Most of the birds were egrets of three species. As they rose and whirled through the air, they reminded me of spirits – of the essence of birds.”
– Robert Bateman

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60 x 60 in
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44 x 44 in
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Arctic Family
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30 x 20 in
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Mustang Country

Mustang Country  by Robert Bateman is  a painting with mustang horses coming down to drink at a Prairie slough. It’s based on something the artist saw more than 30 years ago. One of the stallions  is  reflected in the water.  As for the mares coming down the gully, the artist intention was to make them look as if they were walking through the grass and not on top of it.

The painting is a rare commission that Bateman  agreed to only because the person who asked for it was giving a generous donation to the planned Robert Bateman Art and Environmental Education Centre at Royal Roads University in Victoria.

Robert Bateman

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28 x 14 in
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48 x 24 in
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Thinking Like a Mountain

“As I write this, I am gazing out the studio window, looking at the view in the late afternoon light. I am listening to J.S. Bach’s Goldberg Variations transcribed from the original piano for chamber orchestra. I am thinking about how lucky I am…lucky to have Birgit and the other people around me…to have my daughter Sarah, her husband Rob, and our two granddaughters living over the hill about 10 minutes away. I am also very lucky to be living in a very charming natural setting. The mountain in my view is called Mount Maxwell, not very high (just under 2,000 feet) as mountains go, however, because of its steepness, it does have certain topographic distinction. It is the subject of this painting, which was originally done for the jacket of my book, Thinking Like a Mountain.

The title is based on some words of Aldo Leopold, the early 20th century’s Henry David Thoreau. He said that we should be thinking like a mountain with a sense of permanence and a long view. I see the mountain as a metaphor for our place in history at the beginning of the 21st century. We are at a peak of human power, wealth and information. We can see all the periods of history, all cultures and all corners of this planet, yet our view seems to have the perspective of the insides of our wallets. From our metaphoric mountaintop, we need to look behind at our wonderful natural and human heritage, and cherish and protect the abundant values to be found there. We need to look out to the sides and see other parts of the world that need our help, but that can also give us good ideas to go forward. The North American culture is not the only philosophy worth following. We need to look ahead, not just years, but generations, to be certain that our actions of today will make the world a better and richer and more varied place for our grandchildren and their grandchildren.”

Robert Bateman

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30 x 9 in
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Sleeping Snow Leopard
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32.5 x 16.25 in
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Snowfall Wolf
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16 x 12 in
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Bateman New Works

Hardcopy  Book
Bateman New Works
by Robert Bateman

176 pages including 120 full color images

Book

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11 x 10 in
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Colonial Garden
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24 x 16 in
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Clear Night Wolves

“I do not mean this to be a frightening picture. The wolves, which normally avoid eye contact, are staring straight at you. Although they sense your presence, they can’t quite make you out. They are alert and interested, but not about to attack. They are equal to the viewer; they are on the same level. The feeling of slight tension and respect between you and them is mutual . You are in their domain. Now that they know about you, the will melt into the gloom.”

– Robert Bateman

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Old Fort Tiger
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36 x 24 in
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Along The Ridge – Grizzly Bear
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36 x 24 in
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36 x 24 in
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Along Walker’s Line
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36 x 24 in
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36 x 24 in
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Arctic Evening White Wolf
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18 x 24 in
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18 x 24 in
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Winter Snowshoe Hare
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31 x 19 in
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31 x 19 in
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The Warrior Lion
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40 x 20 in
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Cheetah Siesta
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48 x 36 in
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Bohemian Waxwings and Poplar
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21 x 14 in
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Ghost of the North – Great Grey Owl

The great gray owl is truly a ghost of the north. It is fleeting and silent. Its wing feathers have downy edges, making its flight totally silent. The colors are subdued, and the patterns provide excellent camouflage.

– Robert Bateman

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Woodshed in Winter – Ermine
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19.75 x 14.75 in
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Alaska Light

“A mother and partly grown cub move along a ridge in the Alaskan autumn looking for berries, mice and grubs for the final feeding which is needed for the long hibernation”
Robert Bateman

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36 x 18 in
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32.5 x 16.25 in
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First Alert – Tiger
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20 x 18 in
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10 x 9 in
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Rose Hip and Kinglet
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20 x 10 in
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White Encounter – Polar Bear

“The idea for this painting came while driving on one of those bright, cold, January days, with a strong northwest wind following a snowstorm. Unfortunately, the blowing snow makes a wall of white. For a few seconds there is zero visibility. The the thought occurred to me about traveling in the Arctic. What if you entered the drift and, unknown to you, a polar bear entered the drift from the other side? By the time you both knew this, it would be too late. With polar bears, it is important to see them from as far away as possible.”
– Robert Bateman

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56 x 42 in
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42 x 31 in
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Observing Christmas
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30 x 24 in
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27 x 21.5 in
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High Kingdom – Snow Leopard

Of all the big cats, the snow leopard is perhaps the most endangered species. Although it lives in one of the wildest and least accessible parts of the world, the Himalayas, it is very vulnerable. If the tropics are the richest in life forms, the poles and the mountaintops are the most sterile. Vegetation is sparse, plant eaters are scarce, and therefore, the predators will be few and their breeding potential low.

Also, as in most parts of the planet, man is increasing and attempting to expand his agricultural boundaries. This means his flocks supplant the wild goat and deer that the leopard feeds on. The leopard naturally turns to domestic animals and gets killed by the herdsman. Trophy hunters also shoot him for his rare and luxurious pelt.

The snow leopard is large with thick, gray fur and an exceedingly long and heavy tail. The tail serves to balance as he leaps from rock to rock and also acts as a warm muff. The face is different from all other cats, being very wide between the eyes with a prominent forehead. They like to sit high in the mountains with a commanding view watching for food that is decreasing and watching for enemies which, sadly, are increasing

-Robert Bateman

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48 x 34 in
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Tiger At Dusk
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12 x 15 in
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12 x 15 in
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Barn Owl in Church
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24 x 19 in
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Intrusion – Mountain Gorilla
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39 x 26 in
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Window Into Ontario
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72 x 36 in
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Fox Crossing

“Although all foxes are perky and elegant, this one was especially so, leading me to believe that it must be a female. I featured the luxuriant tail, a very important asset to all foxes. This one is graced with a superb and abundant appendage. The tail, when wrapped around a sleeping fox’s face and paws, becomes a muff and comforter with great insulation properties, but is easy to breathe through”
– Robert Bateman

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30 x 24 in
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Orca Procession
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46 x 33 in
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38 x 27 in
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The Mating Game
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16 x 21 in
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Sarah E. with Gulls
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Coyote In Winter Sage

The coyote, or brush wolf, is our North American wild dog. He is standing on an old glacial gravel ridge, among winter sagebrush.

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68 x 46 in
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Grizzly at Rest

Despite his massive size and well-earned reputation for ferocity, this mighty grizzly appears as docile as a child’s favorite stuffed animal. This giant and oft maligned species of bear is usually portrayed foraging or on the prowl, either way on the edge of menace.

Its unretractable claws speak volumes as to its readiness to perform at a moment’s notice. I imagine the gravel bed he rests on is a salmon river, and the bear is resting up after gorging himself, so perhaps not too much of a threat at this moment.

-Robert Bateman

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32.5 x 18.5 in
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High Bush Cranberries – Cardinal
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18 x 12 in
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18 x 12 in
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Image Size:
13.5 x 9 in
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Image Size:
13.5 x 9 in
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Intent – Cougar
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16 x 12 in
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16 x 12 in
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12 x 9 in
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Image Size:
12 x 9 in
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Salmon Watch – Spirit Bear
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36 x 24 in
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Spirits of the Forest – Totems And Wood Thrush

“I was privileged to visit the best place where these totems of the tribes of the northwest coast of America still stand. I felt a strong spiritual presence there, one of the most moving experiences of my life. The visages on thepoles face the sea, with their backs to the giant, cathedral-like forest.”
~Robert Bateman

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24 x 18 in
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Alaskan Autumn

“When I saw this grizzly mother and cub coming down a distant slope, I kept my fingers crossed that they would come closer and head up a particularly gorgeous slope. To my amazement they did.”
– Robert Bateman

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32.5 x 18.5 in
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Still Life with Chinese Scroll
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24 x 24 in
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Siberian Tiger
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32 x 21.5 in
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Ocean Rhapsody

I live on the Pacific coast with its mighty forests of Douglas fir, red cedar, hemlock and other trees. However, equally close to our house is a forest of another kind. This is the mighty kelp forest (Nereocystis luetkeana – 10′ to 100′ in length, edible). From my studio I can see, just breaking the surface, the floating bulbs of the bull kelp. When some is broken loose in a storm and washed ashore, it looks like great, translucent, tapered, amber plastic tubes, yards long, with a bulbous end mounted with very long, wavy fronds. High and dry they look sad and stranded but under water they are visually among the most exciting plants in the world, not to mention one of the largest seaweeds. They wave and undulate in constantly changing patterns like a kaleidoscope. The sun glows through them so it seems they are lit from within. They are always graceful. Their rhythms immediately bring to mind masterpieces of ‘art nouveau’. I have snorkeled and scuba-dived through and around these kelp forests. It is always as visually thrilling as a visit to an art museum.

– Robert Bateman

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Into the Light – Lion

“It is early morning in the Ngoro Ngoro Crater. Although this is Africa, the high elevation brings very cold nights and misty mornings. The solitary lion is plodding his way slowly through the dewy vegetation. This big fellow is in his prime or perhaps just past it. Maybe he has lost his pride to a younger male. As he steps out into the sunlight of the rapidly warming morning, he is still confident and king of all that he surveys. It is perhaps lucky that he cannot foretell the future.”
– Robert Bateman

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32 x 20.25 in
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Evening Snowfall – American Elk
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40 x 22 in
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48 x 24 in
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Canada Goose and Goslings
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14 x 10 in
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Winter Bison
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84 x 60 in
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42 x 30 in
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32 x 23 in
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On The Wing – Bald Eagle

“I have been lucky enough to explore parts of the coast of British Columbia and Alaska by float plane. We fly low enough to appreciate the details of the cliffs, islands and forests, visiting places with our eyes that we could never dream of visiting with our feet. In fact, we fly at eagle height. We can, for a time, be an eagle, scanning the land below. However, our eyes don’t compare to those of an eagle for sharpness. But, for a short while, I feel privileged to be given eagle wings, if only in my imagination.”
Robert Bateman

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30 x 27 in
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25.25 x 22.5 in
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End of Season – Grizzly
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48 x 36 in
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40 x 30 in
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Winter Lady
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16 x 12 in
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Winter Blues – Blue Jay
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7 x 5 in
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Tembo
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40 x 30 in
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56 x 42 in
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80 x 60 in
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Tree Frog

Sold as a pair with Beach Grass

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4 x 4 in
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Beach Grass

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26 x 18.5 in
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Bull Moose
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40 x 30 in
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Passing Fancy – Lion Cubs and Rhino

The passing of the Rhinocerous is a fascinating moment to the lion cubs. They’ve not had an encounter with this creature or any other Rhino to this point

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22.25 x 16.5 in
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Wolf Pack In Moonlight
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36 x 24 in
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Rhododendron Study
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5.75 x 7 in
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Frosty Morning Blue Jay
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16 x 20 in
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Winter Song Chickadee
Fine Art Print
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10 x 13.25 in
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Up a Tree Lion Cub
Fine Art Print
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Image Size:
10 x 8 in
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Polar Bear
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33.25 x 21.5 in
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Raft of Otters
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28 x 14 in
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40 x 20 in
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48 x 24 in
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Leopard in a Sausage Tree

“Leopard in a Sausage Tree” is one of the most iconic images of Robert Bateman’s incredible collection of paintings. His premier show in 1977 featured this masterpiece and helped to establish a career that was to take him around the globe many times , exploring this vast and fascinating planet . Bateman would see his paintings featured in the most prestigious art galleries and museums around the world for the next three and a half decades.

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36 x 28 in
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Image Size:
36 x 28 in
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Tree Sparrow and Teasel
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12 x 9 in
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Image Size:
12 x 9 in
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Image Size:
16 x 12 in
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Limited Edition Print
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Image Size:
16 x 12 in
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Winter Walk
Limited Edition Print
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Image Size:
28.75 x 14.25 in
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Limited Edition Print
 Giclée Paper
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Image Size:
28.75 x 14.25 in
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Roadside Tapestry
Limited Edition Print
Giclée Canvas
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Image Size:
28 x 11 in
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Lily Pads and Loon
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Image Size:
40 x 15 in
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Lions In The Grass
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Image Size:
40 x 24 in
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Poplar Trees and Buffleheads
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Image Size:
11.5 x 8 in
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Limited Edition Print
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Image Size:
11.5 x 8 in
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Winter Mist – Great Horned Owl
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Image Size:
23 x 38 in
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Limited Edition Print
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Image Size:
20 x 33 in
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Deep Winter – Wolves
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Image Size:
28 x 14 in
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Limited Edition Print
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Image Size:
40 x 20 in
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The Prowler – Raccoon

“Raccoons prowl. Like the human prowler, they invade people’s spaces. Of course, raccoons do not recognize private property: Your world is their world. At our present home, we have two apple trees and a luxuriant grapevine. We think that the fruits belong to us. The raccoons have a different opinion.”
– Robert Bateman

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Image Size:
12 x 12 in
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Under the Banyan – Tiger

Tigers are not always easy to spot in the wild, but when they make an appearance for an artist, the results can be magical, as seen above. ” A trip to India is always a wonderful adventure. The abundance of nature in such a densely populated place is always amazing. Tigers in the wild are the ultimate goal of anyone interested in the natural world of India. They are also the hardest to see. Some of our sightings have been from elephant back, some were fleeting glimpses, but the best one of my life was by the old gate in Ranthambore. There was a mother and two half-grown cubs relaxing not more than four yards from our vehicle. This painting is one of those cubs in a tranquil but proud pose.”
– Robert Bateman

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Image Size:
12 x 9 in
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Moose In Moonlight

Like an apparition in the moonlight, Bateman’s bull moose is one with the dimly lit landscape. “On a moonlit night, the bull moose pauses at a swampy lake. Because it is rutting season he is very on edge. He turns suddenly, perhaps he has heard something. To me, the upturned spruce root echoes his antlers.”
– Robert Bateman

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Image Size:
30.25 x 22.75 in
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Limited Edition Print
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Image Size:
40 x 30 in
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Riverbank Retreat – Bobcat

What could be more relaxing than reclining in the cool shade, watching the river roll past? This lovely image is a sure way to beat stress.

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Image Size:
23 x 17 in
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Limited Edition Print
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Image Size:
23 x 17 in
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Song of the South – Carolina Wren

You can almost hear the joyful song of this lively little Carolina wren, nestled amidst the tangled tendrils of Spanish moss.

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Image Size:
18 x 12 in
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Limited Edition Print
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Image Size:
18 x 12 in
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Northern Reflections – Loon Family

“The lighting is fundamental to the effect of this painting. I put almost the entire painting in shadow, with the accents coming from the highlights. The early morning light is striking across the scene, picking up just a bit of the cliff face and the heads of the two adult loons.”

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Image Size:
40 x 27 in
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Antarctic Evening – Humpback Whales

“There have been many magic evenings in my life, but the evening of the iceberg cruise stands out …. The hues of the sky vied with the shadows of the icebergs for a sort of beauty contest of natures… It was at once glorious and subtle and ever changing as we glided among the gigantic towers of ice, and my mind kept turning to fantastic castles from some childhood fairy tale…”

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Image Size:
33 x 28.75 in
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Limited Edition Print
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Image Size:
45 x 38 in
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Hour of the Egret

After a long day, I generally take an evening walk. It was on one such stroll a few years ago that I came across the old Venice [FL] train station, abandoned and derelict. Its grandiose Romanesque arches are now defaced with graffiti and a superhighway roars overhead, but I like to imagine it in its heyday in the 1920’s when trains were the only sensible way to travel long distances.

Egrets regularly feed in a canal that runs nearby, and I recalled that these birds were once as endangered as the passenger train is today.

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Image Size:
20.5 x 15.5 in
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By the River

“The visual elements are interconnected to illustrate the close cohesion of the herd. There is an elegant ponderousness to their movements. Their slow swaying is like the low rhythms of cello and bass in a symphony orchestra. Although I saw this actual grouping in a brilliant flat light at high noon, I chose to change the light and color to a rich and subdued hue in keeping with the quiet comfort of the domestic life of the herd.”

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Image Size:
29 x 19 in
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Limited Edition Print
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Image Size:
36 x 24 in
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Lucas Porch

Lucas Farm was established in the 19th Century on good land near the school where I was teaching in the 1970s. By the time I discovered it, its fate was sealed. Urban sprawl had made farming an untenable land use. The Lucas family kindly allowed me to take my art students onto the property on sketching trips. Although its old charm remained, the Victorian house was being taken over by a tangle of nature. To me the cracks and peeling paint added the dignity of age to the sprightly and lyrical architectural details. These details speak to me of an exuberant and inventive period in our history.
-Robert Bateman

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Image Size:
24.5 x 24.5 in
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Limited Edition Print
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Image Size:
31 x 31 in
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Londolosi – Cheetah

With their keen eyesight cheetahs can rest and search at the same time. They live a vulnerable existence. Catching and killing prey is tricky and exhausting. But the most serious risk comes from other predators, hyenas and lions. In a tragically high percentage of cases, cheetahs will make a kill only to be robbed of it. They never even try to defend it. Moreover, these predators will kill cheetah babies every time they get the chance.

I like this reaching, peering pose. It reminds me of the action when, in full chase, the cheetah has to make a sudden turn.

– Robert Bateman

Limited Edition Print
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Image Size:
21.5 x 11 in
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Limited Edition Print
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Image Size:
24 x 12 in
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The Return – Bald Eagle Pair
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Image Size:
48 x 36 in
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Limited Edition Print
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Image Size:
36 x 24 in
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Limited Edition Print
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Image Size:
30.25 x 22.5 in
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Whitetail in Winter

“For most of human history, winter was a hard time. Food was scarce and shelter was essential. The same applies to deer, especially in the season of snow.. Deep snow makes it almost impossible for deer to move about with their sharp, narrow hooves. They, therefore, ‘yard up’ in sheltered valleys often filled with cedar. They beat down trails in a very limited area, and so can move about with great restriction…”
– Robert Bateman

Limited Edition Print
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Image Size:
32.25 x 13.5 in
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Samantha
Limited Edition Print
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Image Size:
11 x 8.5 in
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Winter Pond – Mergansers
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Image Size:
24 x 18 in
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Canada Warbler and Pear Blossoms
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Image Size:
11.25 x 6.25 in
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